Daisy odora di casa
2021-2025
Figura umana: Recycled materials, toilet paper, starch, adhesive tape, 55 × 120 × 30 cm
Figura canina: Recycled materials, glue, paper, tape, aluminum foil, 60 × 105 × 64 cm
Casa: Wood, wire mesh, collected dog hair (Daisy’s), 17 × 22 × 11 cm
Note: Photos document the work; the following images do not represent the final arrangement
Daisy odora di casa
2021-2025
Figura umana: Recycled materials, toilet paper, starch, adhesive tape, 55 × 120 × 30 cm
Figura canina: Recycled materials, glue, paper, tape, aluminum foil, 60 × 105 × 64 cm
Casa: Wood, wire mesh, collected dog hair (Daisy’s), 17 × 22 × 11 cm
Note: Photos document the work; the following images do not represent the final arrangement
Daisy odora di casa consists of three interconnected sculptures, each created with a different technique but conceived as a unified whole. They reflect on the complex relationship between humans, dogs, and the idea of home. Home is not just a physical space but an emotional state shaped by touch, distance, scent, and connection. The sculptures explore the balance between presence and absence. Missing elements such as a human head, voids in the dog's body, or absent legs are not simply losses. They are meant to be imagined and found in another sculpture, creating a silent dialogue. This interplay expresses care, vulnerability, and interdependence. The third sculpture is a small house made from the fur of Daisy, my dog companion. The fur was collected during intimate moments of brushing her. Its nest-like texture and lingering scent evoke warmth and comfort. Yet the house is too small to offer physical shelter, underscoring the tenderness and limitations within species cohabitation.
Daisy odora di casa consists of three interconnected sculptures, each created with a different technique but conceived as a unified whole. They reflect on the complex relationship between humans, dogs, and the idea of home. Home is not just a physical space but an emotional state shaped by touch, distance, scent, and connection. The sculptures explore the balance between presence and absence. Missing elements such as a human head, voids in the dog's body, or absent legs are not simply losses. They are meant to be imagined and found in another sculpture, creating a silent dialogue. This interplay expresses care, vulnerability, and interdependence. The third sculpture is a small house made from the fur of Daisy, my dog companion. The fur was collected during intimate moments of brushing her. Its nest-like texture and lingering scent evoke warmth and comfort. Yet the house is too small to offer physical shelter, underscoring the tenderness and limitations within species cohabitation.












